글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블

글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블

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The prose version of Hayward seemed to have been accepted as the standard, in default of anything more satisfactory: the English critics, generally sustaining the translator in his views concerning the secondary importance of form in Poetry, practically discouraged any further attempt; and no one, familiar with rhythmical expression through the needs of his own nature, had devoted the necessary love and patience to an adequate reproduction of the great work of Goethe's life. The care and conscience with which the work had been performed were so apparent, that I now state with reluctance what then seemed to me to be its only deficiencies,--a lack of the lyrical fire and fluency of the original in some passages, and an occasional lowering of the tone through the use of words which are literal, but not equivalent. The present participle can only be used to a limited extent, on account of its weak termination, and the want of an accusative form to the noun also restricts the arrangement of words in English verse.

The prose translator should certainly be able to feel the manifestation of this law in both languages, and should so choose his words as to meet their reciprocal requirements. Hayward's prose translation. Where all the restraints of verse are flung aside, we should expect, at least, as accurate a reproduction of the sense, spirit, and tone of the original, as the genius of our language will permit. Poetry, indeed, may be distinguished from Prose by the single circumstance, that it is the utterance of whatever in man cannot be perfectly uttered in any other than a rhythmical form: it is useless to say that the naked meaning is independent of the form: on the contrary, the form contributes essentially to the fullness of the meaning. The English language, though not so rich as the German in such rhymes, is less deficient than is generally supposed. The difficulty to be overcome is one of construction rather than of the vocabulary. He shall not leave the spot alive.

Considering the fact that the majority of people don't have enough blood to interact in physically demanding activity that has a full abdomen, the human body will rebel initially by generating you really feel awful, but This really is an expected response. I would like the gang to sense by itself properly taken care of, Specially because it lives and allows me live; The posts are established, the booth of boards done. Ye group additional near! My very own job is cheered by the discovery, that the additional closely I reproduced the language of the first, the more of its rhythmical character was transferred concurrently. I truly feel impelled, its meaning to find out,-- With honest reason, at the time for all, The hallowed Original To vary to my beloved German. Perfectly-designed you will be, 'tis to not be denied, The rest a Daring deal with will gain you; For those who but in yourself confide, Without delay confide all Other folks in you. Hence, all which you as Sin have rated,-- Destruction,--aught with Evil blent,-- That's my proper factor. Hayward's entirely omits the factor of poetry.

Hayward's ear didn't dictate to him the requirement of preserving the initial rhythm. I honor him with the individual and conscientious labor he has bestowed on his translation,--I can't but feel that he has himself illustrated the unsoundness of his argument. Poetry is not really merely a vogue of expression: it's the form of expression Certainly required by a particular class of Concepts. The English ear is suspicious of recent metres and unaccustomed forms of expression: you can find significant detectives around the monitor of every author, as well as a violation on the approved canons is accompanied by a summons to judgment. In Poetry which endures by its have inherent vitality, there isn't any forced union of both of these things. The writer's believed is stripped of a last grace in passing by way of his brain, and often offers greatly exactly the same resemblance to the first as an unhewn shaft into the fluted column.

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